Los Angeles Center for Digital Art presents:
"New and Improved"
June 12 - July 5 2008
Reception: Thursday, June 12, 7-9pm
in conjunction with the downtown art walk

Los Angeles Center for Digital Art
107 West Fifth Street, Los Angeles, CA 90013
Contact: Rex Bruce
(323) 646-9427
Web site,,
Gallery hours, Wednesday – Saturday, 12-5pm

Michael Salerno, Wetlands Under Siege, 2008, Epson ink on canvas, 38x38 inches.

Diane Arrieta :: Edward Bateman :: Kimber Berry :: Ela Boyd :: Trang Bui :: Jeri Donaldson :: Chris Dunker :: Jaz Fabry :: Martin Gantman :: Wilda Gerideau-Squires :: Olga Gerrard  :: Wally Gilbert :: Sarah Green :: Lori Hepner :: Douglass Hill :: Tama Hochbaum :: Pete Jackson :: Kathryn Jacobi :: S.K. James :: Aunia Kahn :: Yolanda Klappert :: Barbara Kossy :: Michael Lightsey :: Heather Lowe :: Tracy Mac :: Meg Madison :: Timothy McLoughlin :: Chuck Quint :: Beth Ross :: Douglas Ross :: Michael Salerno :: Mel Sant :: Charlie Siebert :: Jun-Jun Sta. Ana :: Phil Tarley :: Todd Tostado :: Anneliese Varaldiev :: Claudio Vazquez :: John F. Walté :: Jen Zen :: Thomas Ziorjen :: John Zwick

It is common knowledge that (for all of the usual reasons) artists often become pigeonholed in a particular style, or that the ever present curatorial "trend," "theme" or "concept" can become somewhat tyrannical in terms of dictating the way in which artworks take shape. For this exhibit LACDA curator Rex Bruce invited selected artists to try something new or show some un-exhibited work that they would like to have seen. In one sense the exhibit is curated, in that the artists for the show were selected, and in another it is self governing in that the artists were allowed to choose the works they wish to show. The only influence would be that this choice came with a healthy dose of encouragement to experiment.

In this spirit of experimentation this exhibition is also an inversion of the practice whereby a gallery doles out wall space to the precious few, thus shortchanging artists, as well as their audience, the experience of the vast wealth of creativity our global culture in fact produces. A very large group exhibit allows more variety and vibrancy and makes a more accurate representation of the massive quantity of art that exists in the contemporary moment. This is  especially true for a digital gallery that aligns itself with the electronic free-for-all that constitutes our time; a world replete with social networks, mobile communications, ubiquitous cameras, ubiquitous editing software, uploads, downloads, blogs, vlogs and the extremely open and rapid-fire discourse they engender.

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